Shaping LightSetting up a light is easy, but crafting it is an art. Learn the tools and techniques for shaping light to achieve the desired look.
Shaping LightDeveloped by Jason Tomaric, FilmSkills
ABOUT THIS LESSON
Anyone can set up a light, but the real art in lighting lies in how you craft or shape the light. In this module, we’ll take you to Panavision in Hollywood where you will learn tools and techniques for shaping light once it is emanated from a light source.
- 17:51 video that teaches you techniques and tools to effectively shape light on set
- Complete companion guide
WHAT YOU WILL LEARN
- How to effectively shape the light emanating from a light source
- How to use barndoors
- How to use blackwrap
- How to use a cucoloris
- How to use mirrors
- How to use solids
- How to create a brancheloris
- The difference between internal and external shadows
ABOUT THE LESSON AUTHOR
Jason TomaricDirector, Cinematographer Los Angeles, California
Jason J. Tomaric is an Emmy, Telly, and CINE Award-winning director and cinematographer of four internationally-distributed feature films, dozens of national television commercials, music videos, and the largest film training content library in the world, published author of 8 books - used in many top universities, and creator of AccuSkills.com, an industry-changing learning management platform.
Jason has worked in Los Angeles and around the world in over 20 countries. His clients include Disney, NBC/Universal, National Geographic, McDonald’s, Toyota, Scion, Microsoft, and Paul Mitchell, with narrative work screened at Sundance, Slamdance, and South by Southwest film festivals as well as on Netflix and on all broadcast networks.
Jason has taught and/or guest lectured at some of the nation's most prestigious film schools including UCLA, Columbia College, John Carroll University, Kent State University, San Francisco State, University of Notre Dame, and numerous film festivals.
Jason has written eight industry-defining books, all sold in bookstores, and used in film schools around the world. The American Society of Cinematographers hails Jason's books - "There are no wasted words in Tomaric's tome, which concisely summarizes each facet of the director's craft. It's difficult to think of a step in the process that Tomaric fails to address."
Jason’s DVD training series on Hollywood film production have trained filmmakers in over 40 countries, with distributors in Europe, Hong Kong, New York and Australia.
In 2010, Jason launched FilmSkills, which combines the world’s largest film training video library with his proprietary learning management system. Adopted by 47 universities within the first year, FilmSkills is now the leading industry-standard training solution for motion picture and television production.
In 2015, Jason launched AccuSkills.com, an industry-changing learning management platform that bridges the gap between academia and industry.
CONTRIBUTORS TO THIS LESSON
Blain BrownCinematographer, Author, "Cinematography: Theory and Practice" and "Motion Picture and Video Lighting"
Blain Brown is a Director of Photography based in the Los Angeles area. He has been Director of Photography on 14 feature films as well as national commercials, promotional films, industrials, music videos and documentaries. He has worked all over the U.S. and throughout the world as well. He has completed projects as a director, editor and screenwriter. Blain has written two of the most industry-defining cinematography book of this decade, "Cinematography: Theory and PRactice," and "Motion Picture and Video Lighting."
David Stump, ASCAcademy Award and Emmy-winning cinematographer, "A Quantum of Solace", "Flight Plan", "Fantastic Four", and "X-Men"
David Stump, ASC, works on numerous motion pictures and television productions as Director of Photography, as Visual Effects Director of Photography and as a Visual Effects Supervisor, garnering Emmy nominations and an Academy Award for Scientific and Technical Achievement for Camera Data Capture Techniques. His credits include such projects as James Bond 22 A Quantum of Solace, Flight Plan, Fantastic Four, X-Men 1 & 2, Into the Blue, Garfield, Panic Room, Deep Blue Sea, Batman Forever, Hollow Man, Men of Honor, Stuart Little, The Sphere, Contact, Batman & Robin, Mars Attacks, Executive Decision, Stargate, Free Willy, and What Love Is, among others.
A member of the Producer's Guild of America (PGA), the Visual Effects Society (VES), the Society of Motion Picture & Television Engineers (SMPTE), the Academy of Motion Picture Arts and Sciences (AMPAS), and the Academy of Television Arts & Sciences (ATAS), Stump has been involved in Digital Visual Effects for over 20 years, since the advent of Computer Generated Images for film. He has also been involved in shooting High Definition images for many years and has been an advisor and consultant to numerous HD camera manufacturers. In 2001 he was accepted for full membership into the American Society of Cinematographers, where he is currently chairman of the Camera Subcommittee of the ASC Technical Committee. His work there helps to shape the future of digital cinematography, by bringing together working cinematographers with the builders of their tools. He is currently working on a book that will demystify digital and high definition cinematography.
Harry C. BoxCamera Operator, "Heroes," "Brothers and Sisters," and Author of "The Set Lighting Technician's Handbook"
Harry C. Box has worked in television and motion picture production since 1989. Over the years he has done substantial work as a lighting technician, gaffer, camera operator, director of photography, and as an educator. His recent credits include network and cable television series, such as "Heroes" (NBC), "Brothers and Sisters" (ABC), and "Everybody Hates Chris" (CW). He has worked on major motion pictures, independent feature films, telefilms, documentaries, music videos, commercials, and industrials. Harry has also written "The Set Lighting Technician's Handbook," now in its fourth edition.
John GreschVice President, ARRI Inc.'s Lighting Division
Based in Burbank,Calif., John Gresch serves as ARRI Inc.’s Vice President, Lighting Division. He has worked for ARRI for the past 20 years, initially heading sales efforts for the Western Division before being promoted to his current position. John is also an instructor of HMI lighting for IATSE 728 (Studio Lighting Technicians) Safety & Training program. He often lectures on lighting topics for union, trade, and educational groups. John is a graduate of Carnegie Mellon School of Drama.
Laura Beth LoveCinematographer, "Zen and the Art of Senioritis", and "Little Magdeline"
Los Angeles-based cinematographer and instructor at Los Angeles Film School.